The Singer for all Seasons – Vid. K. J. Yesudas

The Singer for all Seasons – Gaana Gandharvan K. J. Yesudas 

 1977 Sri Ramanavami Concert at Parvathi

By R.Sachi

If we know of a man for all seasons, and a man of many parts, then we can also begin to appreciate India's singer for all seasons, Padma Vibhushan K.J. Yesudas. To give a perspective of his achievements, let us see Wikipedia:

Kattassery Joseph Yesudas (born 10 January 1940) is an Indian playback singer and musician who sings Indian classical, devotional and film songs. He is widely regarded as one of the greatest singers in the history of Indian Music and also as a cultural icon. Yesudas is estimated to have recorded more than 50,000 songs in various Indian languages, including Malayalam, Tamil, Kannada, Telugu, Hindi, Odia, Bengali, Marathi as well as Arabic, English, Latin, and Russian, in a career spanning six decades. He is often referred to as Gaana Gandharvan (transl. The Celestial Singer).

Yesudas won the National Award for the Best Male Playback Singer a record eight times, the Filmfare Awards South five times, and the State Award for the Best Playback Singer forty-three times, including awards given by the state governments of Kerala, Tamil Nadu, Andhra Pradesh, Karnataka, and West Bengal. He received the Padma Vibhushan (the second-highest civilian award) in 2017 from the Government of India for his contributions to the arts.

Yesudas started his academic music training at R. L. V. Music Academy, Thrippunithura, and completed the Ganabooshanam course. Later he studied at Swathi Thirunal College of Music, Thiruvananthapuram under the tutelage of the Carnatic music maestro K. R. Kumaraswamy Iyer and the doyen Semmangudi Srinivasa Iyer but could not complete his studies due to financial constraints. For a brief period, he also studied music under Vechoor Harihara Subramania Iyer, after which he took advanced training from Chembai Vaidyanatha Bhagavatar.

This author witnessed an event when the doyen Chembai was honoured with a statue of Goddess Saraswathi during his concert for some organisation at the Madras Music Academy hall. He, in turn, promptly conferred it on his disciple Yesudas who was accompanying him on the stage, saying that Gaana Saraswathi would like it to be given to him!

We have featured several concerts performed at the home of Parvathi over 5 decades by Vid. Yesudas. He shares a unique chemistry with Sri. K. Srikantiah, and has come more readily to perform in Parvathi than even at the Mysore Palace Dasara.

In this concert, Sri. Yesudas is accompanied by two Sangeetha Kalanidhis who have made and continue to make our lives richer through their music – Vid. M. Chandrasekharan on the violin and Vid. T. V. Gopalakrishnan on the mridangam. There is also ghatam accompaniment by Vid. T.V. Vasan and khanjira accompaniment by Vid. H.P. Ramachar. Sri. Yesudas sings in three octaves with ease, and negotiates a plethora of rich ragas and famous compositions of the great Vaggeyakaras, and gives nearly an hour of his popular film songs that draws huge applause.

Hindolam is very well presented. Then, there is a consummate presentation of Kharaharapriya and the famous Thyagaraja song Pakkala Nilabadi. 

As the Vidwan begins the alapana of Shankarabharanam, an idea strikes me. The most common scale in the world of music is this raga, also called C Major or the Ionian mode. In fact, this raga is the most natural scale offering a harmonic relationship between any two notes. 

True to its name- which means Lord Shiva’s ornament, Shankarabharanam accommodates many different interpretations, just as Lord Shiva has three ornaments - the crescent moon in his crest, the cascading Ganga down his matted locks, and snakes all over. Shankarabharanam has Carnatic gems of Krithis like Akshayalingavibho and Swara Raga Sudha, as also the currently hugely popular, child-friendly, Nottuswarams. These are like the splendid moon on Shiva’s crest. Then the raga allows for expansive, fluid, and evocative alapanas and Tanams (listen to Vid. Yesudas here!). They are like the Ganga cascading down Shiva’s matted locks! Finally, Western/ Jazz/ Rock/Heavy metal interpretations are also hugely popular. They are a bit like the fascinating snakes that coil and slither all over the Lord's body! What a gift of music is Shankarabharanam from Lord Shiva to us all, irrespective of our tastes!

The reason for featuring this concert in the Parvathi finale is simple – the December Music Season may come and go, but Gaana Gandharvan Vid. Yesudas will thrill any listener in any season, and this concert is precious proof of that!

Concert Details

K. J. Yesudas - Vocal

M. Chandrasekharan  - Violin

T.V. Gopalakrishnan - Mridangam

T.V. Vasan - Ghatam

H.P. Ramachar - Khanjira

Date 4 April 1977

during Ramanavami Festival, "Parvathi", Mysore, April 1977.

Song list:

1. Evari Bodha – Abhogi varnam – Patnam Subrahmanya Iyer

2. Siddhi Vinayakam – Chamaram (Shanmukhapriya) – Muthuswami Dikshitar

3. Pavanaguru-Pavanapuraadheesham Aashraye – Hamsanandi – Swathi Thirunal

4.       Govardhana Girisham – Hindolam – Muthuswami Dikshitar

5.       Pakkala Nilabadi – Kharaharapriya –Thyagaraja

6.       Manavyalakimcha radate- Nalinakanthi- Thyagaraja

7.       Adhiye Paranjyothiye – Narayanagowla? – Vedanayagam Pillai

8.       Shankarabharanam alapana

9.       Tanam with mridangam accompaniment

10.   Enduku Peddala Vale – Shankarabharanam – Thyagaraja

11.   Thirupar Kadalil Pallikondaye – Bhairavi - Vayalar

12.   Harivarasanam – Madhyamavati – Dakshinamurthy

13.   Chand Akela Jaye Sakhi Ri

14.   Apoorva Ragam

15.   Jab Deep Jale Aana

16.   Murugane Kaana Aaayiram Kann Vendum

17.   Ni Sa Ga Ma Pa Ni

18.   Shloka – Bhimplas, Anandabhairavi

19.   Mangala Darshana Dayike – Ananda Bhairavi

20. Yogeendraanaam – Ragamalika (Kapi, Sindhubhairavi) – Narayaneeyam

21.   Mangalam

The Lalgudi Express - Celebrating the Maestro's Bani

Vid. Lalgudi Jayaraman - Sri Ramanavami 1987 Concert

By R. Sachi

The idyllic city of Mysore boasts of a heritage railway station through which many of who’s who have passed to experience the wonderful city over long years.

Among the many musicians who arrived by train in Mysore to perform at the home of Parvathi, the legend Vid. Lalgudi Jayaraman was a special one, who came countless times.

The Railway Museum, Mysore

In this 1987 Sri Ramanavami concert with accompaniment by his son Vid. GJR Krishnan, Vid. Vellore Ramabhadran, and Vid. Bangalore Venkatram, Sri. Lalgudi gives us a ride on the Lalgudi Express train. There is a brisk tempo throughout, with never a dull moment. Vid. Ramabhadran’s sarvalaghu style of playing the mridangam is like the steady beat of the train wheels on a well-laid broad gauge track! This concert augurs for the Vande Bharat Express being launched to garner many accolades.

Sri K. Srikantiah is quite fond of recollecting his long association with Vid. Lalgudi since circa 1948. Both were very young then and a thick friendship grew. The family of Parvathi celebrated every achievement and award bestowed on the great vidwan including the first Chowdiah National Award in 1982 and an International Award for the best of world music. Readers can discover the family connection with the Chowdah Hall too in this blog. We have also shared many brilliant concerts of Vid. Lalgudi Jayaraman – both solo and playing as an accompanist, already.

It is now a happy occasion in our Finale to share this concert recording from 1987, especially since Vid. GJR Krishnan has been named as the awardee of the Sangeeta Kalanidhi title for 2022 by the Madras Music Academy which will be conferred on him along with his sister Vid. Vijayalakshmi.

The Lalgudi musical lineage traces back to Saint Thyagaraja himself, as has been well narrated in the biography of the Vidwan titled “An Incurable Romantic.” Being a truly multidimensional musician and composer, Vid. Lalgudi Jayaraman won worldwide acclaim for his many accomplishments as a soloist, accompanist, composer, teacher, and the creator of the Lalgudi Bani.

This concert begins with his own composition, a Varnam in Sama. The next song in Dhanyasi is short and sweet with these words:

The Spiritual Heritage of Tyagaraja, RK Math, Chennai 

Thyagaraja is summarising the entire personality of Sri Rama: Rama the beautiful one, the powerful one, the giver of delight, the punisher of the evil, and the indweller in the heart of the devotee. The same sentiment is expressed also in the Huseni song so evocatively played by the maestro after a dynamic Shanmukhapriya.

The rendition of Sakalagrahabala Neene in Athana is excellent.

Concert Details

Lalgudi Jayaraman   --------- Violin
GJR Krishnan                 ---- Violin
Vellore Ramabhadran ------- Mridangam
Bangalore Venkatram ------ Ghatam
on 11-4-1987at 'Parvathi' Sri Ramanavami Festival.

Song List

• 1.       Tarunam en Thaye – Sama Varnam – Lalgudi Jayaraman
• 2.       Shyama Sundaranga – Dhanyasi – Thyagaraja
• 3.       Paramatmudu – Vagadheeshwari – Thyagaraja
• 4.       Sakalagrahabala Neene – Athana – Purandaradasa
• 5.       Ramachandram Bhavayami – Vasantha – Muthuswami Dikshitar
• 6.       Marivere Dikkevaraiyya Rama – Shanmukhapriya – Patnam Subrahmanya Iyer
• 7.       Raghuveera Ranadheera – Huseni – Thyagaraja
• 8.       Bhavanuta – Mohana – Thyagaraja
• 9.       Kharaharapriya alapana

This is only Part A of the concert recording. Unfortunately, we are unable to locate in the heap of tapes the second part of the recording. So, as the maestro builds up the alapana of Kharaharapriya, the recording ends. It is as if Mahaveera Hanuman has brought an invitation to the ensemble to move and to continue the concert in front of  Lord Sri Rama himself in his Ayodhya Durbar.

 

We extend our felicitations to Vid. GJR Krishnan and Vid. Vijayalakshmi on the Sangeetha Kalanidhi award. We earnestly wish continued glory to the Lalgudi Bani in the future.