/* START Google Analytics Code*/ /* END of Google Analytics Code */ A home called "Parvathi": Mysore Prabha
Showing posts with label Mysore Prabha. Show all posts
Showing posts with label Mysore Prabha. Show all posts

Sunday, September 21, 2014

Mandolin Srinivas – A Prodigious son of Music


In our Eternal Memories: Mandolin U. Srinivas (1969 ~ 2014)


A Tribute by Mysore Prabha


“U. Srinivas passed away” was the breaking news on TV. It was heart-breaking news for us.

Though Lalgudi Krishnan had already given us the shocking news, my mind just refused to accept the fact. How could this happen? Though we knew that he was ailing, we never doubted his recovery. But fate snatched U. Srinivas away from amidst us. To put it in renowned novelist and writer R. K. Narayan’s words, “He jumped the queue”. U. Srinivas has moved on to another world, leaving behind his prodigious, melodious, soul-stirring music for us to enjoy.

There is probably no other musician from India who attained national and international acclaim at such young age as U. Srinivas did. He was recognized as a child-prodigy when he started performing at a very young age of 8-10 years. He continued to be a prodigy even in his 40s, because, no other musician produced such wonderful music on the mandolin (the supposedly ill-suited instrument for carnatic classical music) like Srinivas did. It is to Srinivas’ credit that he has greatly popularized Indian music in western countries. He was always a crowd puller whenever and wherever he performed-in India or abroad. His music always pleased the connoisseur and the layman alike.

My family’s association with U. Srinivas dates back to 1984. It was on 10.4.84 that Srinivas first visited our home,”Parvati”, in Mysore, to perform during the annual Ramanavami music festival conducted by my father, K. Srikantiah. He was a small-built lad and I remember the shy boy sitting on the carpet with his mandolin next to him, gazing and touching his mandolin continuously, as if afraid someone would snatch it away from him. He had no eyes for anything or anyone else, and spoke only in monosyllables. The pandal next to our house and the roads surrounding it were jam-packed with music lovers waiting to listen to the highly acclaimed child-prodigy. The little boy timidly got on to the stage – and then! The audience was transported to a heavenly world of music emanating from his magical fingers! Starting then, he gave about 8 to 10 concerts for us spread over two and a half decades. Surprisingly, despite all his name, fame and glory, he was still the same, child-like, humble Srinivas when he performed for our K. Puttu Rao music festival (Inaugural concert) in 2011. Little did we know that it would be his last concert for us, and also in Mysore. It was our privilege to honour Srinivas during our Silver Jubilee year Ramanavami festival in 1994. It warmed our hearts when Srinivas said in his speech that he considered himself one in our family.

U. Srinivas has left us after leading a highly worthy life in his short life-span. He has achieved in about three decades what probably would take three births for others to achieve. The country and the Carnatic music world have lost one of its rarest gems. The Indian music world will forever be proud of its prodigious son- Mandolin Srinivas. There cannot be another Mandolin Srinivas.

My family and I pray that Lord Rama blesses Srinivas’ soul with eternal peace.


Wednesday, January 29, 2014

Music's Bylanes VIII : By Ganesha's Grace


There was a reason for our picking up the jacket of the album (below). This is one of "Mellisai Mannar" M.S. Vishwanathan’s exploration to see how far his musical genius would take him. He provided music for the Kannada Movie industry, too, through a film called “Ganesh Mahimae”, which was a financial success.



He was kind enough to call for the vocalization to be provided by a member of “Parvathi’s own family - Mysore Prabha, Sri K. Srikantiah’s daughter.




Saturday, February 26, 2011

Music's Lady Virtuoso : M. L. Vasanthakumari


A lady musician, just 26, was conferred the title Sangeeta Vani in Madras in 1954. Her accomplishments were worthy of being recognised at a function graced by some of the greatest music exponents of that era including Rajamanickam Pillai, Maharajapuram Vishwanatha Iyer, T.L. Venkatarama Iyer, Bade Ghulam Ali Khan, C. Saraswathi Bai, K. B. Sundarambal, and M.M. Dandapani Desikar; and connoisseurs like Dr. R. Krishnaswami, Dr. U. Krishna Rao and finally the Chief Minister C. Rajagopalachari. That lady virtuoso was none other than Dr. M. L. Vasanthakumari or MLV.


[ Courtesy: South Asian Woman's Forum ]

MLV went on to win many more laurels including the Sangeetha Kalanidhi in 1977 as the youngest woman recipient till now (49). Among the legion of her fans, her acronym was expanded also as Melody-Laya-Vidwat. MLV was born into a musical family, but during those difficult times, she needed strong encouragement from a musical celebrity like GNB to dare choose a career in music. That she became his most famous disciple is the stuff of legend.

MLV's mother Madras Lalithangi once met a saint visiting from Karnataka who initiated her into the rich treasure of Purandara Dasa kritis. It made such an impact on her that Lalithangi and her guru-husband Mr. Iyer spent all their fortune to bring out a compilation of kritis, “Sri Purandara Mani Malai” during the difficult times of World War II. It was Life's way of honouring the family's unremitting efforts that MLV was conferred a doctorate by Mysore University in 1976 for her contribution to the propagation of Dasa Sahitya.

MLV was much loved and honoured in Parvathi. She performed there many times. In 1971 she was honoured along with Mysore V. Doreswamy Iyengar and the function was followed by a brilliant MLV concert. We are privileged to offer that recording here.



[ Mr.M.S.Swaminathan IAS, Divisional Commissioner of Mysore, Presides ]
[ Sangeetha Natak Academy Award Winners felicitated in "Parvathi" 1971 ]
[ Dr. M.L. Vasanthakumari and Vidwan Doreswamy Iyengar ]


The concert itself is remarkable on many counts. Following an emphatic rendering of Begada -something rare from a lady vocalist, MLV proceeds with a wonderful Kalyani. There are many moments of explosive creativity in the rendering. The kriti Rama Ni Vadukonduvo is a rarely heard Thyagaraja piece in Trishra Nadai, and it is a feast. Then comes an elaborate Bhairavi RTP. Add to that a Pancharatna kriti and some splendid Devaranamas, and you have a quintessential hallmark concert with the stamp of MLV's musical genius. It is doubly satisfying to feel the camaraderie and virtuous collaboration from the violin and mridangam accompanists. The ensemble's delightful musical journey is akin to a joyous family's travelling in good old times on Chamundi Express from Bangalore to Mysore, savouring every tasty treat and scenic delight on the way. What a blessing indeed!


The Concert
Ramanavami Concert - 8 -4- 1971.

M.L. Vasanthakumari – Vocal
T.M. Prabhavathi – Vocal Support
Tiruvallur Subramanyam – Violin
Tanjavur Krishnamurthy Rao – Mridangam
? - Ghatam




01. Vanajaaksha- Mandari varnam – Mysore Vasudevachar*** 02. Pranamaamyaham- Gowla- Mysore Vasudevachar*** 03. Jagadaanandakaaraka – Naata Pancharatna – Thyagaraja *** 04. Laalisidalu magana – Aarabhi – Purandara dasa *** 05. Shankari neeve – Begade- Subbaraya Shastri *** 06. Raaka Sashivadana - Raga Takka – Thyagaraja *** 07. Rama Ni Vadukonduvo – Kalyani – Thyagaraja *** 08. Mariyaadagaadayya – Bhairavam – Thyagaraja *** 09. Bhairavi RTP + Bauli-Saama-Kiranaavali ragamalika *** 10. Shloka and Yaadavaraaya- Basant Bahar-SindhuBhairavi-Durga –Kanaka Dasa *** 11. Uga Bhoga, Yaake Nirdayanaadeyo – Ragamalika (Bhairav, Kalavati, Bhimplas) – Purandara Dasa *** 12. 12. Vaame Bhoomisuthaa – Shloka – Hamsanandi, Saveri, Shubhapantuvaraali, Suruti *** 13. Dhanashri Tillana – Swathi Thirunal *** 14. Mangalam


CHERISHED MEMORIES OF DR.MLV IN "PARVATHI"

Even after so many years, her name brings a hush in the "Parvathi" household. It is a hush caused by reflection on so many beautiful and personable moments of her having been there. There is even one, that includes her coaxing family members to join her in singing (yes, there are some recordings of that too!).

So we egged on, someone, who was almost like a daughter to her. Here are the words of 'that' daughter, captured solemnly:

"What really can I add to the things that have already been said? She was everything to me! I have but only very fond memories of 'dear MLV aunty'.

When I was a child, she would almost, always , bring me the gift of a beautiful doll, an expensive frock, or some such thing whenever we visited each others homes.

Later on as I grew up and started to sing, after each of her concerts in "Parvati", and as we used to relax, she would invariably ask me to sing old Lata Mangeshkar's songs. She would appreciate them so much, that she would ask me to sing more and more. She would make me feel as if I was on top of the world!

I also cannot forget the affectionate, encouraging and appreciative words that she spoke during my cassette release function.

Personally, I put her in the number one spot amongst carnatic vocalists. What 'shaareera' ! What gamakas! What ease with which she sang! and what creativity!, be it 'alapana', 'neraval', 'swaraprastara' or 'sloka'!

SHE IS SARASWATI TO ME!

I was sitting listening to that very same Karaharapriya which is posted on this blog, when we got the news that she was no more.

Above all, what a fine human being she was! Never spoke a harsh or ill word about anyone. She lived just for the sake of her art.

These few words of mine are just MY VERY HUMBLE OBEISANCE to this great soul... "

- Mysore Prabha

AUDIO DOESN'T PLAY? CLICK HERE

Monday, August 17, 2009

The Nightingale of "Parvathi"

Growing up in an environment like "Parvathi", one would expect all of its members to have imbibed music in one form or another. While some aspired to learn a musical instrument (Puttu Rao's daughter Subbalakshmi aspired to take her Veena lessons from none other the great master Veena Doreswamy Iyengar) and while others practised their vocals with another great Karnataka teacher M.A. Narasimhachar , it was only Mysore K. Prabha, none other than the daughter of a strict but doting father K. Srikantiah who managed to succeed into the professional ranks.

".....while her father was very keen that she should blossom into a Carnatic singer; it was stalwarts like Jesudas, Lalgudi and MLV who indicated that Prabha would suit 'Sugam Sangeet' admirably. Art expression to suit one's personality is of more importance than the form, they argued....."
"...I feel that my classical background has helped me to excel in the light music field...." (quote from Mysore Prabha)
" ...her film number, 'Hoovadare Chenna' composed by M.S. Vishwanathan was a resounding hit...."

[Courtesy Sunday Mid-day Magazine Dec 5 1982 by Shanti Mohanarangam]

We provide you with some select pictures of her as she progressed with her performances and career along with a few audio numbers of her virtuoso in both classical and light music.

Famed film actor, director and producer Kamal Hassan offers a bouquet!

while another thespian of the Karnataka celluloid world, Rajkumar, offers to croon wth her!

Mysore Prabha offers "Haridasavani" 1.Harininnolumeyu --(Abheri); 2.Hari narayana ---(Ragamalika); 3.Nanyaake badavanu --(Chakravaaka); 4.Kolananooduva ---(Suddha saveri); 5.Yenendu Kondaadi(Natabhairavi) 6.Venunaadapriya ---(Hindola gamini); 7.Karunisu narahari --(Charukeshi); 8.Naa ninagenu --(Dharmavati); 9.Kande naa kanasinali --(Mohana)

.. seen here warming up with the legendary Yesudas!

.....on stage with a full accompaniment

Mysore Prabha "Classical" Concert 1.Evarani --- (devamrutavarshini); 2.Yeti Yochanalu ---Kiranavali;3.Vaddane vaaru leru ---(Shanmugapriya); 4.Paridaana micchite --(Bilahari); 5.Mokshsmu galada --(Saramati); 6.Naan oru vilayatt ---(navarasa kannada); 7.Maa jaanaki --(Kamboji) 8.Srivalli ----(Natabhairavi);9.Maamavasada --(Kaanada); 10.Tunga teera --(Ragamalika); 11.Kaava daivavu --(Ragamalika); 12.Vilayada ---(Shanmugapriya); 13.Tillana ---(danasari); 14.Mangalam.

.... finally, with an encouragement from the Queen herself!