Imagine that you ask someone, “Sir, where are you from?” And he replies: “I was born in the land of kings.'' A great start to a conversation about credentials!
It so happens that one can translate the name Maharajapuram Santhanam to mean 'one born in the land of kings'. Once you have a name like that, its a big task to live up to. With Vidwan Santhanam's music, you feel his music reflects the regality in his name. Vidwan Santhanam was the son and disciple of Maharajapuram Vishwanatha Iyer, a monarch in the world of Carnatic music. Hailed in his time as first among equals, he ruled supreme on the concert stage. People to this day recollect his incomparable renderings of ragas like Mohana and Mukhari, and his explosive creativity.
It so happens that one can translate the name Maharajapuram Santhanam to mean 'one born in the land of kings'. Once you have a name like that, its a big task to live up to. With Vidwan Santhanam's music, you feel his music reflects the regality in his name. Vidwan Santhanam was the son and disciple of Maharajapuram Vishwanatha Iyer, a monarch in the world of Carnatic music. Hailed in his time as first among equals, he ruled supreme on the concert stage. People to this day recollect his incomparable renderings of ragas like Mohana and Mukhari, and his explosive creativity.
[ Courtesy Carnaticdurbar.com ]
Vidwan Santhanam, whose scintillating concert at Parvathi we have already featured several months ago, is our artiste again this time.
Vidwan Santhanam came into his own in the '70s, after his father's demise. He rose in popularity for his resonant and sweet voice, his great stamina, and the ability to please audiences with engaging, happy music. He put his trade-mark on songs such as “Srichakraraja Simhasaneshwari”and “Narayana”. He was conferred the Sangeetha Kalanidhi title in 1989. The music world lost him prematurely - he died in a car accident in 1992.
In this concert, in the company of the ever-excellent Lalgudi G. Jayaraman, Santhanam presents E Tavunnara in Kalyani. This song is popular for a long time and makes an instant connection with the listener. Like so many other songs of Saint Thyagaraja, this song also has several layers of meaning.
The meaning given in the Spiritual Heritage of Tyagaraja is this: “Which is your place of abode? You are not easily to be found, however closely you are searched for.
Is it in the feminine forms of the deity like Sita, Gouri and Saraswati or is it in the five elements of earth, water, fire, air and ether or in the innumerable worlds or among the Trinity?”
To this writer, the song unveils three layers of God's presence in one's spiritual discovery. The first layer, encountered through the stirrings of bhakti, is that of grace. The mother goddess personifies grace through benign protection (Durga), the gift of intelligence (Saraswati) and prosperity (Lakshmi). After passing this phase of basking in God's grace, the aspirant starts to experience God's immanence: His all-pervading presence in this world, finally composed of the five elements. As Krishna says in the seventh chapter of the Gita, prakriti personifies Him. But the bhakta's journey finally takes him to the point when God is pure transcendence- all this and more. The ultimate conceptualisation of God in Hinduism is that of Trinity- the Creator Brahma, the Protector Vishnu, and the Destroyer Shiva. This song is just one way of saying that for a true bhakta like Thyagaraja, Lord Rama is grace, immanence and transcendence all combined.
Come, let us now enjoy the feast of music from Vidwan Santhanam, in the Ramanavami festival of Parvathi 1979.
Vidwan Santhanam came into his own in the '70s, after his father's demise. He rose in popularity for his resonant and sweet voice, his great stamina, and the ability to please audiences with engaging, happy music. He put his trade-mark on songs such as “Srichakraraja Simhasaneshwari”and “Narayana”. He was conferred the Sangeetha Kalanidhi title in 1989. The music world lost him prematurely - he died in a car accident in 1992.
In this concert, in the company of the ever-excellent Lalgudi G. Jayaraman, Santhanam presents E Tavunnara in Kalyani. This song is popular for a long time and makes an instant connection with the listener. Like so many other songs of Saint Thyagaraja, this song also has several layers of meaning.
The meaning given in the Spiritual Heritage of Tyagaraja is this: “Which is your place of abode? You are not easily to be found, however closely you are searched for.
Is it in the feminine forms of the deity like Sita, Gouri and Saraswati or is it in the five elements of earth, water, fire, air and ether or in the innumerable worlds or among the Trinity?”
To this writer, the song unveils three layers of God's presence in one's spiritual discovery. The first layer, encountered through the stirrings of bhakti, is that of grace. The mother goddess personifies grace through benign protection (Durga), the gift of intelligence (Saraswati) and prosperity (Lakshmi). After passing this phase of basking in God's grace, the aspirant starts to experience God's immanence: His all-pervading presence in this world, finally composed of the five elements. As Krishna says in the seventh chapter of the Gita, prakriti personifies Him. But the bhakta's journey finally takes him to the point when God is pure transcendence- all this and more. The ultimate conceptualisation of God in Hinduism is that of Trinity- the Creator Brahma, the Protector Vishnu, and the Destroyer Shiva. This song is just one way of saying that for a true bhakta like Thyagaraja, Lord Rama is grace, immanence and transcendence all combined.
Come, let us now enjoy the feast of music from Vidwan Santhanam, in the Ramanavami festival of Parvathi 1979.
The Concert
Maharajapuram Santhanam ------Vocal
Lalgudi Jayaraman ------------ Violin
Vellore Ramabhadran -------- Mridangam
M.A. Krishnamurthy ----------- Ghatam
on April 5, 1979 at Parvathi during Ramanavami.
Song List
01. Orajoopu – Kannadagowla – Thyagaraja *** 02. E tavunara – Kalyani – Thyagaraja *** 03. Haridasulu – Yamuna Kalyani – Thyagaraja *** 04. Ragam- Tanam – Pallavi – raga Kharaharapriya *** 05. Narayana - Shuddha Dhanyasi – Purandara Dasa ***
This Yamuna Kalyani is the version other than the version employed in the famous Krishna Nee Begane).
Red Flag: Embedded audio player not picking correct song names
BENEVOLENCES FROM MYSORE
The mere roll of names like Maharajapuram Santhanam, Maharajapuram Vishwanatha Iyer, The Bidarama Krishnappa Rama Mandiram, Mysore Vasudevachar, HH Jayachamrajendra Wodeyar, and "Parvathi", and all of it in one breath, stands to create a huge welter of emotions. For, it presents a world of great charms once beheld, of a world of kings and courts and composers and gentle Musical strains, not just Carnatic, mind you, but a far flung one with inroads, too, into a European culture.
Through a few collections, some ours and some from the other great souls of erstwhile Mysuru (as found on the Internet), we connect you to a grand era, which with each day's passing seems to roll away from our eyes into an indistinguishable distance.
From 1970 we show you (below), the very popular Chief Minister of Karnataka D. Devaraj Urs, alongside Mr. K. Srikantiah, unveiling the photograph of Mysore Vasudevachar in "Parvathi".
